Showing posts with label WoodenBoat. Show all posts
Showing posts with label WoodenBoat. Show all posts

Friday, December 24, 2010

Christian Nielsen's drawings


CD



Book



Frederickssund Jolle




drawings courtesy
Handels- og Søfartsmuseets







Photos courtesy Vikingeskibsmuseet

Marcus Noer


photo courtesy Tom Jackson/Woodenboat Magazine



One of several Frederickssund Jolle built by the Vikingeskibs Museet in Roskilde, Denmark, this boat was featured in a piece by Tom Jackson which appeared in the 2009 issue of Small Boats, published by WoodenBoat.
Mr Jackson was rather taken with the boat and proclaimed: "This 17'8" double-ender can stand comparison to the finest of yacht design, and yet this hull comes down to us from an everyday craftsman for a common fisherman." Regarding her performance, Tom says: " She's an amazingly sprightly sailer and a joy to handle. She comes about like a dinghy, with alight touch on the tiller. The jibs have to be backed briefly, but the boat comes about cleanly and with little fuss. She picks up speed right away on the new tack. Her topsail sets and strikes easily, with no specialized gear."



Lokken Pram



I first found this beguiling and elegant pram in Thomas Gillmer's 'A History of Working Watercraft of the Western World'. The inspired lines of this little boat won me over to the possibility of prams and opened the door to the discovery of Christian Nielsen.
"The structure of this 18' pram is light and strong in the best Norse tradition. As a centerboarder she will perform well and efficiently to windward." She looks to me like good choice for a raid boat, though I might want to alter the sail plan to a lug yawl. Apparently Gillmer was taken with her as well, as he devoted a page to her drawing, above, along with several other Nielsen collections.

drawings courtesy
Handels- og Søfartsmuseets





Here's my gift to any readers who love traditional boats.
In the late 1930's, as motorized boats began to replace the traditional sailing vessels used for fishing in Denmark, the members of the Danish Maritime Museum recognized the need to preserve the heritage these older types of boats. Both financially and spatially unable to procure representative boats, they decided on the next best thing, to have boats measured and described. With help from the Tuborg Fund, the museum was able to hire a man to survey and comment on the threatened and vanishing types of working sail. That man was one Christian Nielsen, a young boatbuilder with a long lineage of boatbuilding. Typically, Nielsen would take a train to the coastal area in question and then proceed up or down the coast on bicycle to take his measurements and gather local knowledge of the type of boat used in that area. Upon returning to the museum he would use the measurements he'd taken to construct drawings of the boat, leaving us with a valuable legacy. He is, in his way, the Danish equivalent of Howard Chapelle in the US, Edgar March and others in the UK.
Nielsen's work culminated in an archive of traditional workboats from all round the Danish coast. The book of Nielsen's collected drawings along with commentary and other illustrations was published by the Danish Maritime Museum in 1977, and is available (in Danish) from them, as is the CD of the drawings, highly recommended. The English edition, published in 1980 with an introduction by Jon Wilson, founder of WoodenBoat Magazine, is out of print and only available second market. I was lucky to get a copy at a reasonable price. The CD is a little difficult to negotiate, but a source of recurring pleasure. If you are given cash at Christmas, or have a little extra and want to play Santa to yourself, or someone else, the CD is a great collection of drawings from which you can build a boat.
I must say that in ordering the CD, and in general asking questions about the Handels- og Søfartsmuseets I was treated to a rare and gracious experience, special thanks to Thorborn and Heidi. The Danes seem to be very generous people.
A Very Merry Christmas to you!

Wednesday, December 1, 2010

Antonio Dias Boat Design



Harry



Early days


Harrier



Ran Tan

"If I had to chose, Harrier is my favorite boat. Small enough and still feels capable in fairly big water. The fastest I've ever been on a monohull, hydroplaning on her bottom plank like a ski at well over ten knots in a cold hard Northwester in Saint Michael's."




Ben Fuller sculling




Sailing trials were conducted by Jenny Bennett and Antonio for her article on Ran Tan which appeared in WoodenBoat's 2009 Small Boats




Trials with Jenny at the tiller




Harrier is a modified wherry hull form and sports carbon spars for it's lovely lug yawl rig




Owner and imaginer of Harrier, Ben Fuller on a reach.Ben is a small boat historian, former curator at Mystic and currently curator at the Penobscot Marine Museum. Ben authored a book on small boat plans available at Mystic Seaport Museum, it's on my wish list

Ran Tan photos courtesy Katherine Mehls





Antonio Dias' CAD drawings for Harrier



Small



Jenny Bennett, a respected small boat journalist, worked with Antonio and builder Will Clements to produce her(modified for reality) dream boat, Small. Here she's getting ready for a sail, I believe her first in the boat.
Later in the day she was joined by designer and builder for the sea trials.




There's an article about Small, written by Jenny and featuring the clean, sharp photos of Benjamin Mendlowitz, in WoodenBoat number 181. Recommended



From Tony
"Small: Fast Harry calmed down and made civilized. Jenny really helped shape this design. I particularly like the low foredeck she specified.
"




The workboat heritage of Small, an expression by Jenny's desire for a design reminiscent of her English upbringing, is evident here, especially in the plumb bow. Notice also the unvarnished teak deck and benches.




Reaching off

Arey's Pond Daysailer




"Arey's Pond Daysailer:
The challenge for a fast boat that could be skippered by a couple in their eighties and float in 13" of water. The virtuous cycles that built up between the hull, skeg and winged rudder, combined with the carbon fiber rig surpassed my wildest hopes. Fast, easy, no pressure on the helm even at 7+ knots on a broad reach. I've been told her helm feels like the new America's Cup boats that way". Read Tony's design brief here.





The starting point for this design was Chapelle's collected Kingston Lobster Boat by Ed Ransom, page 161, American Small Sailing Craft)




There's an excellent article on this boat in WB #186 written by Mr. Dias' long time friend and associate
Rueben Smith

Arey's Pond photos courtesy Katherine Mehls


Beach Point 18




Beach Point18, docked at Arey's Pond




"A lot of cabin for the size, but a snug sailer, fast and with the yawl rig she maintains steerage even at a snails pace, so ghosting in close quarters is precise. A stretched out 20' or 22' would really be something."




Cabin




Cockpit




Mizzen

Spar Hawk




Spar Hawks copious lug yawl sail plan



Katrina (a Harry type) , SparHawk, Harry,
and their owners; Antonio, Tom Haines, and Jim Carr.

"My Sailing Canoe design. A bit over-canvased for modern taste. A good hull form. Low wave making. Good though heavy paddling boat."



S & S Hammond





S & S Hammond:
Steve is a clammer and fisherman in Chatham, and old Yankee family, he's building the boat slowly, carefully. His ambition, and I hope to join him, is to sail out of Chatham harbor and go east, about a hundred miles. We'll drop some handlines over the side and see if there's a codfish willing to join us on her decks.
More and updates here.



Truth




Truth:
"Crossed the Gulf of Maine to Provincetown from Brooklin in a Southeast blow. Never took a drop on deck. Rode across genuine 8' to 10' graybeards off the quarter as if on rails with two fingers on the tiller and over six knots under stays'l alone. Composting toilet, good cabin, standing headroom. At hull speed the wake is inches high.
"


Truth Sail Plan

current project:
Martha's Vineyard Catboat




"Marty Harris is building this new 12’9″ Cape Cod Catboat design on Martha’s Vineyard. She’s going to sail in the Lagoon in Vineyard Haven next summer. Until we get shots of her underway, I’ll be adding construction photos as they come to me. You can also follow her construction on Marty’s site."
Some comments on this design from Jeff Halpern, a friend of
Tony and a racing companion
:

As I see the design, its is a creative blending of some of elements of the early planning dinghy hull-forms (such as Uffa Fox‘s late 1930′s designs or Harry*) with the classic catboat typology. It is fun to read your drawings and see those places where the lines subtly stray form the mundane; to see the slight hollow in the waterlines at the bow and gentle flam of the topsides forward, and think of this passing through a wave, neither so fine that she porpoises, not so blunt that the bow collides forcefully with each wave, and with just enough flare to keep her dry. Similarly, I look at the stern and see the beauty of the tumble-home and raked transom, and your cleanly drawn run, so hard to achieve with this much beam, which should produce enough lift to surf and perhaps even plane in the right conditions. What a blast on a quiet Sunday afternoon, or a with a bone in her teeth, blasting back home with the wind from her quarter!…


All photos and other material courtesy Antonio Dias unless otherwise noted




Antonio Dias is if anything a thoughtful designer. Very thoughtful. This manifests in several ways, his attention to tradition, his attention to adapting tradition to serve his clients needs, and his attention to detail, expressed both in his boats and his finely crafted drawings. That said, he's also a designer who does not shy from using modern technology when it is appropriate. Witness Ran Tan's carbon fiber spars and the delta wing stabilizer (Tony says this is an aviation term, He thinks of it as more of a resolved endplate) on the Arey's Pond rudder, for instance. Tony is also interested in flight and worked for a time in the aviation design world.

In working on this article, I've had a deeper exchange with Tony than is usual with the people I write about, again, a testament to his attention to detail. This exchange of ideas and opinions has led to insights for both of us. Apparently a comment I made was a tipping point which led to Tony's understanding of boats not only as tangible objects but also as vessels of inner transformation, great archetypes of the human psyche. The exchange has benefited my perception of boat as well, deepened it and enlightened it. This has resulted in Antonio initiating a conversation about boats and their relevance to our lives in the form of a blog intended to be a sort of open forum about the meaning of boats called Boats for Difficult Times. I have posted some comments there and intend to write some more lengthy pieces for the blog, it is an interesting line of investigation.

Tony is a sort of renaissance man, a poet, painter and writer with talents, accomplishments and aspirations ranging beyond boat design. One can ferret these out by reading his other blogs, Fine Lines and Horizons of Significance and through other links found at Antonio Dias Design.

Antonio Dias is also the author of Designer and Client, a book about the design process and the interaction between the two parties. It's a candid look into what is usually an undisclosed process (often for good reason). I've only read bits of the book, but what I have read is compelling enough to suggest a more thorough read. I was particularly struck by one paragraph in the introduction which is relevant to Tony's current thoughts being aired on Boats for Difficult Times and which has bearing on our recent exchanges:

"It May seem ludicrous to expect boats-and pleasure boats at that-to be vehicles for a search for truth. Aren't they toys, conspicuous consumption,status symbols? How could they be anything else? Twenty -odd years down this path, I must say that I still have reason to doubt this conventional wisdom. I continue to see glimmers of the transformative power inherent in boats and refuse to abandon my expectations."

Antonio Dias is that rare individual who truly examines life and the issues surrounding him, and who uses the lens of one discipline to examine another, and then turns it around. This, to my mind is a philosopher. Not to be to heavy handed, let's call him a 'philosopher of boat'.

In writing about Tony Dias, I have perhaps focused more on the man than the boats, but there is ample information on his highly regarded boat design work. You can access his website to review a portfolio of his boats, dig into 'Designer and Client' for eight of his projects, and find great articles on three of his brainchildren in WoodenBoat publications,
Small is featured in WB # 181
the Arey's Pond Daysailer in WB # 186
and Harrier in the 2009 edition of Small Boats.
All of these can be requisitioned from WoodenBoat in their original form or downloaded in a digital format.